![]() ![]() That being said, the pages in their own right are beautifully drawn. Instead, they find an impressive middle ground that looks enough like the original animation to clearly capture the characters but has a cartoony edge that rests much more naturally on the pages of a comic. Sarin's artwork doesn't try to replicate the show's animation style. Tour #1 never feels forced or hasty, which speaks to Franklin's formidable writing skills - considering these characters have not yet had the chance to interact in such a way on-screen. ![]() Seeing Harley and Ivy's relationship fully realized on the pages of The Eat. The way the characters interact with the world and each other has the same electrifying vitality that the show captures and it ensures that the world of Harley Quinn: The Animated Series is translated clearly and concisely to a radically different medium. ![]() Tour feel like a natural extension to the animated show. RELATED: Harley Quinn Star Kaley Cuoco Hypes the Show's New Tie-In Comicįranklin finds the perfect tone to make The Eat. Tour masterfully takes the reins from where the second season left off and explores Harley and Ivy's queer road trip of a lifetime. Perfectly adapting the dynamics, relationships, and tone of the show from the screen to the panel is no easy feat, but the team behind The Eat. Tour #1 features a creative team that knows exactly what makes the animated series tick. Written by Tee Franklin, drawn by Max Sarin, colored by Marissa Louise, and lettering by Taylor Esposito, Harley Quinn: The Animated Series - The Eat. ![]()
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